The chain is 24 inches long, made with glass seed beads, the bail incorporates Swarovski pearls and the pendant is pink glass and approximately 1 1/4 inches by 7/8 of an inch.
Well I am certainly one of the people who says this. As the Reversible Gladiator Cuff can attest to. This was begun several years ago at a Bead and Button class given by the Hummingbeads Sue Jackson and Wendy Hubick. I loved the idea of getting 2 bracelets for the price of one. And I alao thought it was a very clever pattern.
Down the road I’m just glad I finished the blasted thing. It seemed to go on forever with lots of little components. Fiddly sew on snaps etc. I really couldn’t believe it when it was done. And I almost still can’t believe it when I see it on my wrist!
I would say quite honestly it’s a classic piece of jewelry and can be worn with anything, anywhere. Worth making the effort as you’ll probably use it a lot.
The reverse side looks like this:
And both sides opened up:
The worst part was sewing the snaps into the band. Phew. Hard work. But it makes a nice concealed clasp and boggles my mind how it works – but it does. Sort of like one of Eschers paintings…..
Here’s the clasp:
You might want to make one of these yourself, in which case hie on over to Hummingbeads and email for a kit.
More than 20 years ago I lived on an island in the Caribbean. Last weekend these islands were devastated by Hurricane Irma. Barbuda was where my now husband taught me to snorkel. We sprayed Cheez Whiz into the water. Yes, weird I know but it attracts fish.
I met and married David in Antigua. While we still lived there we went through several major Hurricanes and watched the destruction of property and the appalling looting which took place in the aftermath. Always makes me sad to think we harbour such revolting characteristics in our nature. Fortunately there are also those who don’t descend into depravity. There are people who put their best foot forward and help to re-built homes, infrastructure, and lives, and thank goodness they exist. David and I spent a very long 3 days in our neighbours house waiting for Hurricane Luis to move off the island. We married shortly after as we felt we needed a party! People were so generous, offering Harmony Hall for our wedding and reception.
Hedy Campbell and I became friends while we lived there. She taught me much about art and life, though she may not know it. We both exhibited at Harmony Hall. They have an excellent Art Gallery. In fact, I had my very first solo exhibition there which is an incredible memory. I sold all but one of my paintings during my reception which was gratifying.
Hedy still vacations in Antigua every year. I haven’t been back since I married. However, Hedy and I keep in touch. We both continue our art careers and like to follow each other’s progress and change. Hedy’s work still reflects the warmth and Caribbean style she developed. Above is a picture of the sweetest textile piece incorporating a tiny Caribbean coloured sweater!
Recently Hedy sent me an Artscene article from the Prince Edward Arts Council. A terrific write up on her exhibition at the John M Parrott gallery in Belleville, Canada. I’m always charmed with images of her work and the picture they chose to represent her show doesn’t disappoint. A lovely Dancing Rasta floats across the canvas. Hedy tells me she intends wearing the same outfit when she gives her artist talk.
Hedy works from her studio in Picton, Ontario – Rose Cottage Studio and Gifts. She has a delightful colouring book available – An Artist’s Garden.
I just got a note from the Houston Quilt Festival with a listing of beading classes they are offering. This is something which appeals as several of my quilts incorporate beading – eg. Sheep’s Eyes has quite a few bits of beading stitched into the design,
and so does River Fish.
These are earlier examples of beading on my quilts. As I got more into beadwork itself I began adding more elaborate pieces of beadwork such as the bevelled ammonites in Pebble Plants,
and the jewelry components in Subterranean Spiral.
This year she is offering a class on Beautifil Beaded Butterflies which looks like something which would work well for any beaded motif on a quilt.
When I began quilting erm……. many years ago, Libby Lehman was one of my heroes. I loved her ribbon quilts and even went so far as to experiment with her technique in my April Journal Page. Not nearly as clever as her artwork but an interesting concept I wanted to try.
As the Quilt Museum remarks – her quilts are based on spatial illusions which I am very fond of and am trying out in my Anamorphic quilts. Mine are more trick the eye illusions whereas Libby’s work is 3-dimensional. But we both love fooling the viewers perceptions.
Sadly, Libby suffered a devastating aneurysm and stroke which she is still recovering from and I am delighted the Quilt Museum are honouring her work with this lovely exhibition entitled ‘Joy’. The exhibition is on until October 17th, 2017.
For those of you who enjoy watching quilt videos (in between quilting…..), then the National Quilt Museum now has a monthly video which covers exhibitions at the museum, and discussions about the work and the artists. It’s not a substitute for actually standing in the museum and looking at the work yourself but it does give you a better idea of how the shows look in each gallery.
Might be worth checking out….?
After a few years of NOT having a specialised art quilt competition (I think there was a lot of grumbling at the first competition) The Festival of Quilts in the UK has another art quilt competition. Have a look at the finalists.
I particularly enjoy the story telling in this piece by Laura Kemshall – In and Out of Love.
It’s weird – I’m known for not liking realistic or photo transfer quilts but this absolutely draws me in. I think the content is so meaningful, the imagery so beautifully presented and somehow one feels the push, pull of a relationship in the way the portraits are layered, they are looking forward, away and towards each other. This image will probably stay with me for a long time.