Tag Archives: bead and button show

Beaded Horn of Plenty and necklace

Horn of Plenty basket containing necklace. Beadweaving - seed beads, fire polish crystals, delicas, Swarovski rivolis, and wirework. Image copyright © Rose Rushbrooke.
The initial design of this 3-D piece began at a Masterclass with Nancy Cain at the Milwaukee Bead and Button Show.

I got stuck on filling it with the conventional fruits and veggies. However, common sense prevailed and I made a delicate necklace for the bounty spilling out of a basket.

Horn of Plenty basket - peyote beadweaving. Made with seed beads and Swarovski glass pearls. Image copyright © Rose Rushbrooke.The basket is shaped peyote using seed beads, pearls and coloured wirework.

Horn of Plenty necklace - beadweaving. Made with seed beads, drops, fire polish crystals, and Swarovski rivolis. Image copyright © Rose Rushbrooke.The necklace is made with bezelled Swarovski crystals and a daisy chain fastened with a silver and Swarovski clasp.

Masterclass 2015: Nancy Cain, Engineering Vessels

So I’m back from the Bead & Button show in Milwaukee, WI. Each year I find the whole experience utterly intense. It’s hard for me to go to sleep at night I’m so wired each day.

Nancy Cain is a great teacher. Willing to answer questions, full of useful tips and techniques. Oh boy, I learned many new things and can’t wait to start implementing these ideas. The title doesn’t really describe what we learned – we learned to engineer anything we want! But of course, you have to focus to start with so vessels it is.

Here’s the official description – Engineering Vessels.

Two friends from my old Tampa beading group were there and we sat together at one of the round tables, along with another woman who was confident enough to feel comfortable with three people who already knew each other. Everyone began work on a project – some I could already see the finished item. Mine will come together eventually, just not during the class. Too many calculations required. Plus, I wanted my own stash near at hand.

Peyote was the first stitch I learned, and is probably the first stitch most people learn. If you want to, you can get seriously in depth. Which is what happens when you spent your time focusing on a particular technique.

Meet the Teachers was fun. The 3 of us worked the table, drank a little wine, talked to acquaintances we hadn’t seen for a while, and wandered around looking at other people’s tables.

And of course, the Marketplace was a huge draw. I bought several tubes of beads, some Swarovski rivolis, and picked up the Toho challenge kit for 2015.

I have plenty to keep me busy until next year’s show……..

Peyote triangle and glass shell pendant necklace

Peyote triangle and glass shell necklace. Beadweaving - seed beads, bugle beads, fire polish glass, and a glass shell pendant. Image copyright © Rose Rushbrooke.

Another piece designed during June Huber’s Masterclass at the 2014 Bead & Button show in Milwaukee, WI. Made with seed beads, bugle beads, fire polish glass, a glass shell pendant and beads from Unicorne Beads, and a hand made clasp.

The colours are easy to wear – so I do, often!

Close up of peyote triangle. Image copyright © Rose Rushbrooke.

Brown and Crystal bracelet

Brown and Crystal Bracelet. Image copyright © Rose Rushbrooke.

This is a piece I made during June Huber’s Masterclass at the 2014 Bead & Button Show in Milwaukee, WI.

Seed beads and fire polish crystals, finished with a slide clasp. Modified right angle weave – an extremely useful technique.

The bracelet is 7 inches long from end to end.

International Quilt Festival, Houston, Texas and Bead and Button Show, Milwaukee, Wisconsin

In my time I have attended both these shows. The latest being the Bead and Button Show this past June. IMO these two shows are the Disney world of their genre.

How to compare them? Mmmmm…., interesting concept. Let me try.

The content is different. Fabric versus beads. Easy. Erm… not so fast. When I go to the IQF I find at least 2 aisles of beady stuff, along with knitting yarns, and a variety of non-quilty goodies. And the B&B Show has knitting yarns, I didn’t notice any fabric stuff (though it might have been there and I blocked it out), and a variety of non-beady goodies. The majority of vendors are true to the show they attend.

The dedication of the attendees is equal. Many, if not most, suffer from a mild to monster degree of OCD. Or perhaps, more kindly, OCT – obsessive, compulsive tendancies. (Certainly I do, having been invited, in previous times, to exhibit my work at the American Visionary Art Museum in Baltimore, Maryland. Would you believe, they have an entire gallery dedicated to OCD artists? And the rest are primarily self taught – ie. more OCD artists.)

The gender of people who attend these shows is the same. A vast population of women. And a smattering of the male sex at both. Though I notice more male teachers at the bead show.

Age is interesting. There appear to be a higher proportion of younger women at the Bead and Button show. Perhaps the percentage of personally adorning young people is higher than the bed/wall covering textile age bracket?

You can’t say the attention span is different. Both skills/art require a vast amount of patience. See OCD reference above!

Workshops are taught at both. The top teachers and artists from each field gather at these events.  I get the impression it is an annual meet up. Perhaps the only time some of them get to see and talk to those whom they have only known as internet friends.

At the Teacher’s Reception I briefly spoke to Heather Kingsley-Heath who traveled from England. Later she mentioned in her blog how much it meant to her to catch up with other luminaries. And note how eloquently she explains the convergence – ″this is also a roll call of kindred spirits, a gathering from many countries where it is simply joyous to meet and hug and renew our friendships. And yes we talk beads non-stop.″

This applies to the attendees. A friend goes to the International Quilt Festival nearly every year. I asked her why she goes. Her response: “I go to the show to see my friends, of course, but I also go to get inspired by what other people are doing. I go to take classes with people that will never visit our guild. I go to shop for things that might not appear in the local quilt shops. I find that each time I attend I come home energized and ready to move beyond whatever rut I am stuck in at the moment.”

Pretty good reasons it seems to me.

You can certainly brush up on your skills at both events. Well known teachers give workshops and lectures. Your choices only governed by how fast you can apply online for the classes.

This year the online registration for the Bead and Button show opened at noon, I was at the hairdressers and didn’t get home till 1 o’clock. Every single class I had earmarked was filled. RATS! Should have been there with my fingers on the keyboard.

Masterclass - Playing with Possibilities with Marcia DeCoster

Masterclass – Playing with Possibilities with Marcia DeCoster – photo by Marcia DeCoster

But I was lucky because the organizers chose to run a second 3-day Masterclass with Marcia DeCoster which I snapped up. Read her Notes from a Masterclass for a feel of the workshop.

Garden Medley - hand applique class with Karen Kay Buckley

Garden Medley – hand applique class with Karen Kay Buckley

At the International Quilt Festival a couple of years ago, I took a hand appliqué class with Karen Kay Buckley – Garden Medley. It was an all day class and I learned so much. You would never believe serrated scissors were a good thing – but they are! Sometimes we get set in our ways and working with an expert jogs the wheels in another direction.

Then there’s the time. The years both venues have been running. I just received a flyer in the mail about the IQF and note it is the’ 39th annual edition of the International Quilt Festival, Houston’. So they tell me. That’s a long time. The Bead and Button Show has an informative page about its history. It began in 2000 – not quite as long as the IQF! Each event is headed by an iconic woman –Karey Bresenhan is the Director Emeritus of the IQF, and Marlene Vail manages the Bead and Button Show.

The Hilton hotel is hooked up to the conference center at both shows. You need never walk the streets, so to speak, if you would rather not. I love the sky walks in Milwaukee. You cross over streets and streets from one hotel to another, to another. And by the way, just for info, the Ramada in Downtown Milwaukee is a minute across the street from the back door entrance of the Hilton. Even if it’s pouring with rain (which it did this year), you can dash across and into the rabbit warren of floors and corridors. And the Ramada has free wi-fi and a very reasonably priced special every night in their restaurant (and an excellent breakfast buffet on Saturday – I know because……..)

These shows are something we look forward to each year. We stash away our pennies so we can pay for the hotel, the airfare, meals, classes, and of course, the marketplace. Do not think you can get away with budgeting a certain amount.

IT IS NOT ENOUGH!