Category Archives: Quilt and Beading Shows

Beading Classes with Nancy Eha

I just got a note from the Houston Quilt Festival with a listing of beading classes they are offering. This is something which appeals as several of my quilts incorporate beading – eg. Sheep’s Eyes has quite a few bits of beading stitched into the design,

Detail of Sheep's Eyes by Rose Rushbrooke

Detail of Sheep’s Eyes by Rose Rushbrooke

and so does River Fish.

Detail of River Fish by Rose Rushbrooke

Detail of River Fish by Rose Rushbrooke

These are earlier examples of beading on my quilts. As I got more into beadwork itself I began adding more elaborate pieces of beadwork such as the bevelled ammonites in Pebble Plants,

Detail of Pebble Plants by Rose Rushbrooke

Detail of Pebble Plants by Rose Rushbrooke

and the jewelry components in Subterranean Spiral.

Subterranean Spiral by Rose Rushbrooke

Subterranean Spiral by Rose Rushbrooke

Detail of beaded component from Subterranean Spiral

Detail of beaded component from Subterranean Spiral

I did take a class with Nancy Eha a few years ago. It was the Beaded Kaleidoscopes which was quite clever as the design was elevated so the beads stood above the cloth.

Beaded Kaleidoscopes by Nancy Eha

Beaded Kaleidoscopes by Nancy Eha

This year she is offering a class on Beautifil Beaded Butterflies which looks like something which would work well for any beaded motif on a quilt.

Beautiful Beaded Butterflies, workshop by Nancy Eha

Beautiful Beaded Butterflies, workshop by Nancy Eha

Fine Art Quilt Masters 2017 – The Festival of Quilts 2017

After a few years of NOT having a specialised art quilt competition (I think there was a lot of grumbling at the first competition) The Festival of Quilts in the UK has another art quilt competition. Have a look at the finalists.

I particularly enjoy the story telling in this piece by Laura Kemshall – In and Out of Love.

In and Out of Love by Laura Kemshall

In and Out of Love by Laura Kemshall

It’s weird – I’m known for not liking realistic or photo transfer quilts but this absolutely draws me in. I think the content is so meaningful, the imagery so beautifully presented and somehow one feels the push, pull of a relationship in the way the portraits are layered, they are looking forward, away and towards each other. This image will probably stay with me for a long time.

NorthWest Quilting Expo 2015

Columbia FiberArts Guild booth at NorthWest Quilting Expo 2015

Columbia FiberArts Guild booth at NorthWest Quilting Expo 2015

Last week I sat a shift at the Columbia FiberArts Guild booth at the NorthWest Quilting Expo. It was tricked out pretty nice! This is a pic of Sara – we were sharing a shift. 2 hours went by at a gallop – we talked non-stop.

Quite a few people approached us, signed up for emails, took business cards etc. I think many were grabbed by the artwork and wearables we displayed.

The best part of volunteering for booth sitting is all the people you get to meet. As if you couldn’t tell you were at a quilt show! Here’s a general sweeping statement: we are all of an age and some of us tend to wear what I call ‘quilty’ clothes. My husband, lugubriously calls us the ‘blue jumper crowd’. Not quite sure why but I think it probably tells me something….?

Masterclass 2015: Nancy Cain, Engineering Vessels

So I’m back from the Bead & Button show in Milwaukee, WI. Each year I find the whole experience utterly intense. It’s hard for me to go to sleep at night I’m so wired each day.

Nancy Cain is a great teacher. Willing to answer questions, full of useful tips and techniques. Oh boy, I learned many new things and can’t wait to start implementing these ideas. The title doesn’t really describe what we learned – we learned to engineer anything we want! But of course, you have to focus to start with so vessels it is.

Here’s the official description – Engineering Vessels.

Two friends from my old Tampa beading group were there and we sat together at one of the round tables, along with another woman who was confident enough to feel comfortable with three people who already knew each other. Everyone began work on a project – some I could already see the finished item. Mine will come together eventually, just not during the class. Too many calculations required. Plus, I wanted my own stash near at hand.

Peyote was the first stitch I learned, and is probably the first stitch most people learn. If you want to, you can get seriously in depth. Which is what happens when you spent your time focusing on a particular technique.

Meet the Teachers was fun. The 3 of us worked the table, drank a little wine, talked to acquaintances we hadn’t seen for a while, and wandered around looking at other people’s tables.

And of course, the Marketplace was a huge draw. I bought several tubes of beads, some Swarovski rivolis, and picked up the Toho challenge kit for 2015.

I have plenty to keep me busy until next year’s show……..

Quilt Alliance videos of International Quilt Festival 2014

Quilt Alliance videos from International Quilt Festival 2014

Quilt Alliance videos from International Quilt Festival 2014 – interview with Sandra Lauterbach

The Quilt Alliance videoed some great interviews with quilt artists who showed at the International Quilt Festival 2014 – Go Tell it at the Quilt Show! If you couldn’t go it’s lovely to see the quilts. And if you did go, it’s interesting to hear what the artists say about their work.

International Quilt Festival, Houston, Texas and Bead and Button Show, Milwaukee, Wisconsin

In my time I have attended both these shows. The latest being the Bead and Button Show this past June. IMO these two shows are the Disney world of their genre.

How to compare them? Mmmmm…., interesting concept. Let me try.

The content is different. Fabric versus beads. Easy. Erm… not so fast. When I go to the IQF I find at least 2 aisles of beady stuff, along with knitting yarns, and a variety of non-quilty goodies. And the B&B Show has knitting yarns, I didn’t notice any fabric stuff (though it might have been there and I blocked it out), and a variety of non-beady goodies. The majority of vendors are true to the show they attend.

The dedication of the attendees is equal. Many, if not most, suffer from a mild to monster degree of OCD. Or perhaps, more kindly, OCT – obsessive, compulsive tendancies. (Certainly I do, having been invited, in previous times, to exhibit my work at the American Visionary Art Museum in Baltimore, Maryland. Would you believe, they have an entire gallery dedicated to OCD artists? And the rest are primarily self taught – ie. more OCD artists.)

The gender of people who attend these shows is the same. A vast population of women. And a smattering of the male sex at both. Though I notice more male teachers at the bead show.

Age is interesting. There appear to be a higher proportion of younger women at the Bead and Button show. Perhaps the percentage of personally adorning young people is higher than the bed/wall covering textile age bracket?

You can’t say the attention span is different. Both skills/art require a vast amount of patience. See OCD reference above!

Workshops are taught at both. The top teachers and artists from each field gather at these events.  I get the impression it is an annual meet up. Perhaps the only time some of them get to see and talk to those whom they have only known as internet friends.

At the Teacher’s Reception I briefly spoke to Heather Kingsley-Heath who traveled from England. Later she mentioned in her blog how much it meant to her to catch up with other luminaries. And note how eloquently she explains the convergence – ″this is also a roll call of kindred spirits, a gathering from many countries where it is simply joyous to meet and hug and renew our friendships. And yes we talk beads non-stop.″

This applies to the attendees. A friend goes to the International Quilt Festival nearly every year. I asked her why she goes. Her response: “I go to the show to see my friends, of course, but I also go to get inspired by what other people are doing. I go to take classes with people that will never visit our guild. I go to shop for things that might not appear in the local quilt shops. I find that each time I attend I come home energized and ready to move beyond whatever rut I am stuck in at the moment.”

Pretty good reasons it seems to me.

You can certainly brush up on your skills at both events. Well known teachers give workshops and lectures. Your choices only governed by how fast you can apply online for the classes.

This year the online registration for the Bead and Button show opened at noon, I was at the hairdressers and didn’t get home till 1 o’clock. Every single class I had earmarked was filled. RATS! Should have been there with my fingers on the keyboard.

Masterclass - Playing with Possibilities with Marcia DeCoster

Masterclass – Playing with Possibilities with Marcia DeCoster – photo by Marcia DeCoster

But I was lucky because the organizers chose to run a second 3-day Masterclass with Marcia DeCoster which I snapped up. Read her Notes from a Masterclass for a feel of the workshop.

Garden Medley - hand applique class with Karen Kay Buckley

Garden Medley – hand applique class with Karen Kay Buckley

At the International Quilt Festival a couple of years ago, I took a hand appliqué class with Karen Kay Buckley – Garden Medley. It was an all day class and I learned so much. You would never believe serrated scissors were a good thing – but they are! Sometimes we get set in our ways and working with an expert jogs the wheels in another direction.

Then there’s the time. The years both venues have been running. I just received a flyer in the mail about the IQF and note it is the’ 39th annual edition of the International Quilt Festival, Houston’. So they tell me. That’s a long time. The Bead and Button Show has an informative page about its history. It began in 2000 – not quite as long as the IQF! Each event is headed by an iconic woman –Karey Bresenhan is the Director Emeritus of the IQF, and Marlene Vail manages the Bead and Button Show.

The Hilton hotel is hooked up to the conference center at both shows. You need never walk the streets, so to speak, if you would rather not. I love the sky walks in Milwaukee. You cross over streets and streets from one hotel to another, to another. And by the way, just for info, the Ramada in Downtown Milwaukee is a minute across the street from the back door entrance of the Hilton. Even if it’s pouring with rain (which it did this year), you can dash across and into the rabbit warren of floors and corridors. And the Ramada has free wi-fi and a very reasonably priced special every night in their restaurant (and an excellent breakfast buffet on Saturday – I know because……..)

These shows are something we look forward to each year. We stash away our pennies so we can pay for the hotel, the airfare, meals, classes, and of course, the marketplace. Do not think you can get away with budgeting a certain amount.

IT IS NOT ENOUGH!